高文谦艺术家简介（高文谦艺术作品）

五一文章 2年前 0 41

ARTCLOUD中国SAP艺术大奖年度新锐艺术家（视频及短片类）高文谦，当虚拟世界与现实世界并无差异时，所有的一切便会成为操控人类的一种工具。

《美人鱼》 / 2018年

MERMAID

5分17秒

我利用3D扫描技术扫描了一个真人很多表情模型，将其模型重新编辑并合成的新的动画，人鱼的表情实际上由很多桢的碎片重构而成，我刻意运用了这种不自然的状态,就像是拟像领域里常常探讨的恐怖谷理论，制造一种真实与虚拟之间的距离，美人鱼的歌声是我用虚拟歌手软件(初音未来，用以人类历史上的第一个虚拟歌手的软件)制成的电子声音。

虚拟的嗓音哼唱的人鱼似乎有催眠致幻，取自古希腊神话中大海中用歌声吸引并杀死水手的美人鱼。在虚拟世界中是否也有程序利用幻觉迷惑人类的海魔女(人工智能，某种病毒,或是某种技术操控)？

其他作品系列

《pandora / 潘多拉》 2019年

人类总被好奇心驱使而探索这个世界。无论我们对未来世界提出多少种可能，多少种灾难性的幻想，无论有多少危险的实验，人类的好奇心总是会打开那个潘多拉之盒。黑盒子上有个摄像头对空间里的观众进行检测识别，根据捕捉到的观众的数量和位置产生电子音乐，产生神秘的科幻的气氛。黑盒子的形象同时也源自于科学中常用的“黑盒子”的隐喻。

Human was always tempted by the curiosity to explore the world. No matter how many possibilities we put forward to the future, how many kinds of catastrophe we imagine, no matter how many dangerous experiment, the curiosity of human will always try to open the Pandora’s box. There is a camera on the black box which is used to identify the detection the spectators, the (computer in the box) box produce electronic music by the number and position of the spectators, it creates an atmosphere of the mystery and science fiction. The “black box” is also a metaphor always used in domain of science.

《agenda / 日记》 2019年

我制作了一个看守展览空间的机器人。出现在它面前的人数，室内的温度，光线，声音都会影响到他的情绪值，根据情绪值的高低，书写他的心情和关于它人生的思考的日记。这个低层的低端的机器人每隔6分钟打印一张他的日记。

I make a robot who guard the space of exhibition. The spectator, light, temperature, sound can influence its humor, I make a program for measure his happiness, it writes his diary for record its humor and reflection of life. This robot in the bottom of society print a page of its diary every 6 minutes.

《Sisyphus / 西西弗斯》 2019年

《食 / éclipse》 2019年

《时间分辨率 / résolution du temps》 2019年

时间分辨率是某些编程软件中的一个概念,指的是某个程序单位时间内的最大运算次数. 我借用这个概念,虚构了某个宇宙的基本规律, 讲述虚拟世界的时间法则。它或许也是常常影响我们现实世界的情感与社会节奏的虚拟世界背后的时间法则，影片的构架是我挪用了大量已经存在的动画电影的素材，并加入自己将现实影像转描而成的影像，一个科普类纪录片般的旁白,影像却像是用动画电影展示的一个人关于爱情的回忆。

The resolution of time is a concept in some programming software, it means the minimum time of an operation of a program in a unit time. I borrowed this concept, and invented some basic rule of a universe to talk about the rule of time in the virtual world. It may also be the rule behind the virtual world who often affect our emotions and the social rhythm in the real world. I embezzled a large number of animation film already exist, and join the animation which I use « retoscope » to convert the image of real life into commercial animation movie style image, a narrator of science documentary, the image is about some memories of a person.

《planète》 2018年

我通过对卫星地图软件获取曾经居住过的城市的卫星图像，经过重新拆解，用3D贴图的技术将他们制作成了一个个虚拟宇宙中孤立的小星球。

I use the satellite map software for get the satellite images of the city where I lived, has been dismantled, with 3d technology I make a few of small planet isolated in an universe virtual.

《Faire l’appel / 点名》 2018年

一个声音程序，将参加展览观众的名字提前输入到程序之中（受邀观众的名字通过脸书等社交网络平台的邀请函获得）。大喇叭，一个权力符号，程序随机抽取人名，用计算机模拟的人声在展览空间中进行点名，作者试图创造一种人工智能为人类安排的集中营的氛围。

A sound program. It call randomly the names of audience who visit the exhibition (name of the invited audience from the social networking platforms such as “invitation” on facebook). Loudspeakers, represent the power, use computer simulate the voice of humain to call the names in the exhibition space, it looks like a kind of atmosphere: artificial intelligence make a concentration camp for human.

《bonjour, lune / 飞向月球》 2018年

《clock of countdown / 未來末日倒计时钟》 2018年

佛教佛教等宗教总以死来提醒人们思考人的生。人类生活的地球实际上也是不断面对着毁灭的危险。前苏联政府让其民众为未来的社会理想而牺牲今日。小行星99942（又称Apophis，译作毁神星或阿波菲斯)有可能于2036年4月13日的撞击地球，但概率很小。我由此制作这个作品，一个世界末日计时钟，他不断提醒一个可能潜在的人类世界末日。一个使一切终将变得无意义的将要到来的时刻。每当危机临近时，人类将如何分配生活中活在当下和面向未来的比重？

Religions such as Buddhism always remind people to think about people’s lives. The earth in which human beings live is actually facing the danger of destruction. The former Soviet government allowed its people to sacrifice today for the future social ideals. Asteroid 99942 (also known as Apolfos, translated as Avatar or Apophis) may hit Earth on April 13, 2036, but the probability is small. I made this work, a doomsday clock, and he constantly reminded of a possible human end of the world. A moment that will make everything that will become meaningless. Whenever the crisis is close, how will humans allocate the proportion of life in the present and the future?

《tree for grandson(granddaughter / 给孙子的树)》2018年

在虚拟世界里为未来子孙“种”了一棵树，希望有未来一天我的子孙可以在此与它相遇。

I « planted » a tree for my grandsons and granddaughters in the virtual world.

《Tamagotchi / 电子宠物》 2017年

“妈妈，你在办公室么 ?

我为你画了一张画像

我已经在这个游戏里面呆了快一年了，你什么时候攒够足够的工资来支付它升级更新，或者把我转移到另外一个游戏里 ?

还有这个老式的游戏机渲染速度实在太慢了，你们外面的世界都已经过去了3年了，而我这里才过去了6个月。

上次我听你说当时和我一起出车祸的几个小朋友死后也被他们的父母将灵魂和记忆数据化安装到了游戏里，我想和他们一起玩，我一个人在这个世界太孤独了。”(原作中为英文字幕)

Mum, are you in office right now?I drew a picture for youI have been in this game for almost one year, how soon will you afford to upgrade this game or switch me to another game?Also, the player is too old to render as fast as your world.Six years have passed in your world, while only twelve months have passed in my world.You told me last time that the memories of children who died from car crash with me have been digitized and put in games,and I really want to play with them because I am too lonely myself in my game.Notre vie sont de plus en plus ressemble jeu vidéo. A cause de la vitesse de la Rendu de jeu , La fille morte qui vit dans le tamagotchi raconter le décalage horaire dans les deux mondes.

《The future lost / 丟失的未來》 2017年

像我们今天的人类对于未来一样，古代人对于未来(也就是我们今天)同样有着种种的想象和规划。我们无法知道今天的我们对于未来的设想能否会实现，但是我们不妨参考古代人设计的未来即我们的今天与现实的我们今天即古代人的未来之间的出入。我将古代18，19，20世纪的人类关于21世纪的设想的蓝图进行了梳理(建筑，科技，城市规划，生活方式等) ，将人类未能按照计划在当下时间点上实现和放弃了的计划重构了一个平行世界。

Just as humans today imagine the world a century in the future, ancient humans also envisioned themselves in future scenarios where we are now today. There is no way for us to know whether the visions of the future can be realized, but we can predict it by referring to the discrepancy between past imagination by ancient people and the realities of today which were used to be future for them.I reviewed different versions about 21st century by ancient people in a differing centuries from the following points:architecture, technology, urban design and lifestyle.I constructed a parallel world according to what the ancient people have failed to accomplish and abandoned designs.

《24hours / 24小时》 2016年

我通过截屏著名动画连续剧《樱桃小丸子》开始制作这个作品。我将经常出现在动画《樱桃小丸子》主角学校的钟楼的画面进行截屏，然后用动画技术将这个在24小时内连续运转，背景天空的颜色也会在24小时内不断根据时间的变化而变化。展览现场，作品上时钟的时间于我们现实生活中的时间是内外一致的。整个作品的长度是24个小时，每当时钟指针指到整点的时候，会有钟声响起。

I through the screenshots famous animation series <<Chibi Maruko Chan >> starts to make this work.I screenshots the picture of the clock of the protagonist’s school.Then I use the animation techniques make this clock work in 24 hours.The color of the sky changes according to time in 24 hours.In the exhibition site, the clock time and the real time is the same.The whole of the works is 24 hours, when the clock pointer refers to the top of the hour, there will be bells.

《The peacock / 孔雀》 2016年

道家认为人生是一场白日梦,人们被自己人为编织的梦想所操纵,然而人生确是一场荒诞的梦,循环往复. 片中呈现人们理想的构建,微妙,荒诞,焦虑,茫然的心理状态，并引入生物学里关于孔雀尾巴进化的争论, 借以追问生命的意义.我从童年学校的生活和心理状态的记忆开始, 将回忆和展现心理状态的画面混合成幻想的场景, 并对构架梦想的方式进行结构,用以呈现一个荒诞和迷茫的人生.

According to Taoist perspective on life, humans are controlled by their dreams, but these dreams are indeed ridiculous and moving in circle repeatedly. The film shows human being’s ideal construction and state of mind–delicacy, absurdity, anxiety, and confusion. It also involves the debate over peacock’s tail evolution in order to seek for the meaning of life.I mixed my memories about school life and mind of states in my childhood into imagination, and deconstructed the ways to constructing dreams.

高文谦个展——像素风景展览现场